Georges Méliès was the first cinemagician for his early use of special effects in cinema.
In 1902, he appeared in one of his own films, l'oeuf du sorcier (The Prolific Egg). The groundbreaking exploration of scale, multiplication, and transitions truly sealed his reputation as a "cinemagician".

Georges Méliès (The Prolific Egg)

McCay is considered the father of "true" animation.
His 1911 film, Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics, or Little Nemo contains two minutes of pure animation using sequential hand illustration in a novel way.

Winsor McCay (Little Nemo)

The animal locomotion studies of Eadweard J. Muybridge are among the earliest visual experiments in creating an illusion of motion. The "persistence of vision" principle laid the foundation for later forms of videography.

Muybridge: Waltzing couple (1893)

British filmmaker J. Stuart Blackton is credited with creating the first animation in America. He was the first to use stop-motion as a storytelling technique.
In The Enchanted Drawing, Blackton sketches a face, cigars, and a bottle of wine, then "removes" these last drawings as real objects so that the face appears to react.

The Enchanted Drawing (1900)

Émile Cohl is the father of the animated cartoon. In 1907, Cohl was hired as a scenarist by Gaumont to generate one-page story ideas for movies.
Between February and May 1908, Cohl created <a href="http://en.wikipedia.org/wiki/Fantasmagorie_%281908_film%29">Fantasmagorie</a>, the first fully animated film. To create the animation, Cohl placed each drawing on an illuminated glass plate and traced the next drawing, reflecting the variations needed to show movement. The animation contained over 700 illustrations.

The Story of Fantasmagorie (1908)

A look back at the early-20th-century inventors of a new art form, from Émile Cohl to Eadweard J. Muybridge

Winsor McCay (Little Nemo)

Similar ideas to Winsor McCay (Little Nemo)

1894: "The little lost child"

Step 4| Add some spice

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